About Me

      Design And Motion That Inspire Me  One of the things that really inspire me in 2D animation is expressive movement and smooth transitions. Animations where characters stretch, squash, twist — but still feel natural and human. There’s something magical about a well-timed gesture or a fluid transition from one emotion to the next. I love studying old hand-drawn animations from Disney and newer indie animations on platforms like YouTube and Vimeo. The way they use line of action, exaggeration, and anticipation is what makes them memorable. I also pay attention to animated motion graphics — especially when they blend typography, shapes, and timing so seamlessly that you forget you’re watching something designed. These design choices influence how I approach my own work. I try to incorporate more emotion, fluidity, and meaning in everything I animate. One day, I want to create pieces that people can pause and admire — not just for their story, but for their movement...

        My Growth So Far In 2D Animation  When I started this course, I didn’t realize how much detail goes into even the simplest 2D animation. Drawing is one thing — but making that drawing move convincingly? That’s a whole new skill set. I’ve grown so much in my understanding of timing, spacing, and motion. I used to struggle with consistency — like how a head would randomly grow in size between frames or how limbs would move stiffly. But through exercises like the bouncing ball and walk cycles, I’ve learned the importance of weight, anticipation, and follow-through. I’m also more confident using animation software and tools. At first, the timeline and onion skin features confused me, but now I use them like second nature. I’ve also learned how to plan out scenes better, using thumbnails and key poses to guide my process instead of jumping straight in. Emotionally, I’ve grown too. I’ve learned patience, resilience, and how to deal with creative blocks. I’ve d...

          My Creative Process In Animation  My creative process as a 2D animator can be summed up in three words: sketch, test, refine. It starts with an idea. Sometimes it’s a character I saw in my head, a funny motion I witnessed in real life, or just a feeling I want to express through movement. I begin by sketching thumbnails or key poses to capture the emotion and energy of the action. Next, I block out the motion — usually using rough stick figures or simple shapes. Timing is everything in 2D animation. If it’s too fast, it feels unnatural. Too slow, and it becomes boring. That’s where I rely on timing charts, onion skinning, and watching real-life reference videos. Then comes clean-up — where I go back, polish the movement, and add the character’s personality. I’ve learned that the tiniest detail, like the timing of a blink or a head tilt, can change the whole vibe of a scene. My process isn’t perfect — I still get frustrated, I redo a lot, and somet...

                  My Favorite Animator                       If I had to pick one animator or studio that truly inspires me, it would be me. My work reminds me of the power of simplicity and emotion. What stands out in my animations is how much emotion and detail i put into the smallest works. Whether it’s the color of my hair or the way a character reacts without speaking, my animations feel alive. That’s the kind of depth I've always wanted to reach.  One of my favourite animated pieces I've done is the artworks I've made for my music, the wall decoration I did as a kid in my room which still lives to see the day and the assessment works I've done at NEMISA during the boot camp period . It made me feel alive as a creative and it reminded me why I chose this field. There’s a certain honesty in their art — something that goes beyond entertainment and into the realm of deep story...

              What Is 2D Animation?   2D animation is the art of giving motion to drawings — bringing characters and environments to life through frame-by-frame storytelling. Unlike 3D, which uses digital models and depth, 2D focuses on flat visuals, hand-drawn or digitally drawn, and relies heavily on the principles of motion, timing, and expression. I used to think animation was just cartoons — now I know it's a powerful visual language. 2D animation has been around for over a century, but it continues to evolve. It’s used in films, music videos, explainer videos, games, and even social media content. One thing I’ve realized in this course is how time-consuming but rewarding this artform is. Every tiny movement, every blink or bounce or smile — it all adds up to a visual story that connects with people emotionally. As a 2D animator in training, I’ve learned to appreciate the process behind the magic. From the bouncing ball exercise to keyfr...

  If I were an animal, I’d be a panther — quiet but powerful, graceful but sharp. I don’t always roar, but when I move, I move with intention. Like the panther, I observe first. I take my time to study my surroundings, feel the energy, and then create something that surprises even me. In my creative journey, this “animal” shows up in the way I: Trust my instincts Work silently but deeply Choose depth over hype I think everyone has an inner animal. Mine reminds me to move in silence, strike when ready, and always walk with confidence.

                    Multiple Intelligences We all learn and express ourselves differently. According to the Multiple Intelligences theory, some people are more: Visual-spatial (great with imagery and space) Musical (rhythm + sound focused) Bodily-kinesthetic (learn through doing/movement) Logical-mathematical (patterns + structure) Linguistic (words + language) Interpersonal (people-smart) Intrapersonal (self-reflective) Naturalistic (connected to nature) I found out that I’m strongest and visually spatial, musical, intrapersonal and naturalistic. This makes sense — I learn best when I draw, move, hear music, reflect alone.  Knowing this helps me approach projects in a way that feels natural and effective for me. It also helps me understand others’ creative processes better. There's no one-size-fits-all method. Creativity is as diverse as our minds. ☺️🎶

                      Codes Of Gender  In design and media, nothing is neutral — especially not gender. This week I explored how gender is “coded” into visuals — through colour, posture, expression, typography, and even sound. Think about how blue = boy and pink = girl, or how action scenes are “masculine” and elegance is “feminine.” As a creative, I’m learning that I have the power to challenge these codes. Why can’t softness be strong? Why does power always have to wear black? One thing that stuck with me is that every visual choice carries a message. Moving forward, I want to be more intentional about breaking stereotypes and designing with diversity in mind — gender-fluid characters, balanced narratives, and visuals that feel real and inclusive. 😌

Time management has never been my strongest suit, but creativity doesn’t survive in chaos for too long so improvement is due.  During this course, I’ve had to rethink how I spend my hours. From juggling assignments and personal projects to just finding space to breathe — it’s a lot. I started experimenting with different tools like: Google Calendar for reminders.  My alarm to manage time efficiently.  To-do lists for daily, weekly and monthly goals.  Sleeping early to be productive early.  “Pomodoro” timers to focus for short bursts.  What I’ve learned is that managing time isn’t about doing everything — it’s about doing the right things at the right time. And sometimes, it’s about knowing when to rest so I don’t burn out. I'm still figuring it out, but so far, having a routine (sleep at 7pm wake up at 3am) has helped me show up for my creativity more  consistently since I arrive at school at exactly 6am which gives me time to further my work. And I ca...

I have a dream  I have a dream… not just for my future, but for the creative legacy I want to leave behind. I dream of becoming a 2D animator who tells stories that move people — stories that spark conversation, challenge perspectives, or simply bring joy. My creative journey started when I was a kid, I always drew, I always practiced all 4 forms of Art whether during playtime or spare time and overtime, this passion has evolved into something bigger — a desire to turn my ideas into visuals that speak louder than words. Through this course, I hope to sharpen my skills, connect with like-minded creatives, and explore new tools that push my limits. I want to learn how to merge creativity with purpose — to design not just “nice things,” but meaningful things. My dream is to open my own studio, business, animation company and freelance brand one day, where I can mentor others and create a space that welcomes wild ideas, bold designs, and brave storytelling. This is more than a dream — ...